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Journal Articles

“Zofia Lissa, Wartime Trauma, and the Evolution of the Polish ‘Mass Song’,” The Journal of Musicology 37/2 (2020): 231-266. Pdf

“Writing at the Speed of Sound: Music Stenography and Recording Beyond the Phonograph,” 19th-Century Music 41/2 (2017): 121–150. Pdf

Book Chapters

“Friend and Force: Nadia Boulanger’s Presence in Polish Musical Culture” (coauthored with Andrea Bohlman), Nadia Boulanger and Her World (Chicago U. P.). Pdf.

“Music, Racism, and Genocide,” The Cambridge Companion to Music and Fascism (Cambridge U. P.), under contract.

“Entangled Lives: Roman Palester and his Family in Occupied Warsaw,” Słuch absolutny Romana Palestra, ed. Alicja Gronau (Warsaw: Chopin University Press), forthcoming.

“Ersatz Improvisation: Chopin’s Opus 28 and the Published Prelude Collection,” in Piano Culture in 19th-Century Paris, ed. Massimiliano Sala (Turnhout: Brepols, 2015), 291–311. Pdf

Reviews and Short Publications

Review of Nadia Boulanger and the Stravinskys: A Selected Correspondence, ed. Kimberly A. Francis (U. Rochester, 2018). RMA Research Chronicle 50/1, 181–83.

Review of The Mystery of Chopin’s Preludes, by Anatole Leikin (Ashgate, 2015). Ad Parnassum: A Journal of Eighteenth- and Nineteenth-Century Instrumental Music 14/27, 149–52.

Review of Romantic Anatomies of Performance, by J. Q. Davies (U. California, 2014). Current Musicology 98, 151–55.


Music of Nazi Germany: Strategies of Recruitment and Propaganda,” at Contemporary White Supremacy in America: What are its Links to the Nazi Past?, The Center for Jewish Civilization at Georgetown University (2019).

“Music Shorthand, or How to Capture Sound Circa 1833,” Musicology Now (2016)


“Life and Death for Music: A Polish Generation’s Journey across War and Reconstruction, 1926–53,” Cornell University (2019). Abstract.